J. Cole has a thing to convey. KOD, the title from the reigning king of acutely aware rap’s fifth studio album which surprise-dropped previous week, stands for among three things: Little ones On Prescription drugs, King Overdose or Get rid of Our Demons. Evidently the phrases are interchangeable, illustrating the ever-darkening environment of nervousness and dread enveloping The usa (and precisely, black The us) within a article-Trump earth. The children aren’t alright, Cole posits, and through pensive rhymes about habit, criminal offense, racism, greed, and violence, KOD sees him keep on his legacy of contemplative, greatly-layered hip-hop.

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